A Great Day in Paris

The existence of a migratory tradition of American jazzmen in Paris dates back to the 1930s and continues until today. Why? No one is a prophet in his country, but they no longer have anything to prove, and despite this, they settle in France. Was this diaspora gradually formed for ideological, social, economic or circumstantial reasons? Are we going to touch here on the very essence of the condition of the artist: the search for a certain freedom, for a better consideration of his work and his artistic approach?

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